Everyone has a dark side, right? From the promiscuous to the perverted, the delectable and the downright debauched, here's some edgier offerings in the 2016 line-up.
Lost Child! is a New Zealand premiere, and a one-off, just like award-winning film-maker, writer and artist Miranda July - maker of hit film Me and You and Everyone We Know.
July has a rare ability to pin down people's faults, frailties, and eccentric compulsions, rather than squirm from them – and then to make us love them anyway.
Busting with wit, wonder and weirdness, this was one of The Guardian’s Top 10 theatre shows of 2014. The ever-inventive, multi-talented Kneehigh rework John Gay’s bawdy 18th-century musical satire The Beggar’s Opera.
Part play, part concert, all Bacchanalian, this booze-soaked rock ‘n’ roll cabaret is a sexy one-man show overflowing with “deft wit and razor sharp humour” (Calgary Sun, Canada).
Douglas Wright has dug deeply into the human psyche and returned with a visual poem full of provocative images and exquisite movement — all to a soundtrack combining classical Sufi music, Patti Smith and JS Bach.
A daring and darkly humorous exploration of identity in the age of social media from two of dance and theatre’s most unflinching makers.
Enter the “sheer energetic madness” (This is Cabaret) of this four-man band of one-man bands. Their tribute to Tom Waits turns the gravel-voiced singer’s music into something even more eccentrically entertaining.
Who needs a stage when you have an entire city? Fans of the 2014 Festival’s “subtlemobs” won’t want to miss this even more multi-dimensional piece of adventure theatre.
The award-winning team that delighted audiences with The Bookbinder and The Road that Wasn’tThere return with a darker, more adult tale of the uncanny.
Discover why the great Pina Bausch (1940–2009) inspires such devotion when her legendary company comes to New Zealand for the first time.